Otherness and the Fragmented Self: A Review of The Return by Hisham Matar

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dc.contributor.authorNyongesa, Andrew
dc.contributor.authorGaita, , Murimi
dc.contributor.authorMakokha, Justus
dc.date.accessioned2022-03-16T12:57:56Z
dc.date.available2022-03-16T12:57:56Z
dc.date.issued2021-04-14
dc.descriptionA Resarch Article in Eastern African Literary and Cultural Studiesen_US
dc.description.abstractExisting models in writing reviews underscore the form and content of works of art with scarce attention to the philosophical maxims upon which the works are based. Most adopt journalistic models that are more or less book reports to advertise works of art for commercial purposes. New voices such as Allyson Skene (2015) underscore theoretical frameworks in laying down major arguments of the work to give book reviews a scholarly trajectory. This review extends Skene’s argument by taking literary book reviews away from journalistic models.en_US
dc.identifier.citationAndrew Nyongesa, Murimi Gaita & Makokha Justus (2021): Otherness and the Fragmented Self: A Review of The Return by Hisham Matar, Eastern African Literary and Cultural Studies, DOI: 10.1080/23277408.2020.1847805en_US
dc.identifier.urihttp://ir-library.ku.ac.ke/handle/123456789/23212
dc.language.isoenen_US
dc.publisherTaylor & Francisen_US
dc.subjectOthernessen_US
dc.subjectFragmented Selfen_US
dc.subjectReviewen_US
dc.subjectReturnen_US
dc.subjectHisham Mataren_US
dc.titleOtherness and the Fragmented Self: A Review of The Return by Hisham Mataren_US
dc.typeArticleen_US
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