Gichuki, Atenya2024-06-072024-06-072024Gichuki, A. . (2024). African Representation in White Films from 1985-1997. International Journal of Scholarly Practice, 4(2), 1–10. Retrieved from https://edinburgjournals.org/journals/index.php/Internationa-Journal-of-Scholarl/article/view/277https://edinburgjournals.org/journals/index.php/Internationa-Journal-of-Scholarl/article/view/277https://ir-library.ku.ac.ke/handle/123456789/28322ArticleThis paper analyzes the representation of African characters in white films from 1985-1997. During this period, many Hollywood films were produced that depicted African characters in various roles. However, the question arises as to whether these representations were accurate and fair or whether they perpetuated negative stereotypes of Africans. Through a qualitative content analysis of six selected films produced between 1985-1997, this paper explored the ways in which African characters were portrayed in white films. The films were selected using purposive sampling, and it used thematic analysis to get the findings. The paper used Postcolonial theory that examines how power dynamics between colonizers and colonized people influence cultural representation, including media representation. This study examined the representation of Africans in six films: "Amistad"(1997)," "A Far Off Place"(1993)," "The Power of One"(1992)," "Sarafina!"(1992)," and "Out of Africa"(1985)." and "The Power of One". The films were analyzed through a postcolonial theoretical framework to explore power dynamics and cultural representation. The findings revealed that the portrayal of Africans in these films was mostly through a lens of victimization, perpetuating stereotypes of Africans as primitive and inferior. It is based on the understanding that colonialism is not just a historical phenomenon but also has lasting effects on contemporary societies.enAfrican representationHollywood filmCultural stereotypesPostcolonial theoryArticle